St Mary’s College talk at Elite Appliances

St Mary’s College students were treated to a morning of bathroom inspo and design insights at Elite Appliances.

Jane discussed the role of an interior designer in the industry, career opportunities and the way we use processes, design thinking and collaboration to achieve the fusion of form and function.

The Housing and Interior Design students explored the impressive historic building, checking out tapware, appliances, fixtures and fittings.

A fun and inspiring session, allowing students to embrace an industry that has passion, integrity, skill and the deep understanding of human behaviour within habitable spaces.

Has technology reduced the value of raw expression?

There is something magical about watching a sketch evolve. The raw nub of an idea gradually evolving from simple marks into a physical expression that captures a concept and articulates complex thoughts. Each mark is attended to yet simplified, requiring no further description — an abstract expression of space, interior or exterior as experienced by the viewer.

Expression is no longer confined to a realistic rendered approach but rather one that acknowledges form, complexities in movement, and the inherent qualities of a site. In our design practice, sketching gives invaluable direction and adaptability to our thinking. It doesn’t restrict us from considering how walls could replicate the profile of trees or how ceilings could behave like clouds. It’s open-ended; it has no limitations. Yet does our industry still value sketching as a tool for expression? Has technology, although bearing beneficial and advantageous properties to the industry, triumphed over respect for the simplicity of sketching?

Richard LePlastrier, an Australian architect, captured a profound appreciation of the act of drawing perfectly. His work as an architect is derived from a deep respect for his experience of place, where he can translate this experience through sketch. In an interview by the Sydney Living Museum (1), his discussion of art teacher Lloyd Reece who taught him throughout his architecture degree, inspires and reminds us of the need to draw as designers. Furthermore, it highlights how sketches should be shared, created, expressed not just to ourselves but to those we design for. His discussion draws attention to our modes of working today, where we sometimes shut off our expression to only ourselves. Has new technology reduced the value in raw expression? Maybe we don’t feel our clients value this process?  

These new technologies undoubtedly give us the ability to draw 2D and 3D spaces more effectively and dramatically change the scale we can design in. However, does this ability to render a close to realistic visual of a space diminish the value of the storytelling that can exist in the preliminary stages of a design when sketching? For LePlastrier, sketches gave an ability to tell a story, a story where each stroke was a deliberate and direct correspondence to a site or history. 

Sketches do not need to be technical or complicated to be appreciated. They should convey a story, perhaps as simple as how a passage through a home is derived from a curve in a tree branch. A story that begins with a pencil touching paper, an observation, an expression, translated through gesture.

  1. Richard LePlastrier, 2021. Richard LePlastrier – Extended interview (2016) [online] Sydney Living Museums, available at: <https://www.youtube.com/watch?v=rGI-bixNBCE>.

Article written by Valentine Interiors & Design

National short-listing in Designers Australia Awards 2021

We are thrilled to have been short-listed by The Design Institute of Australia for its inaugural Designers Australia 2021 Awards.
 
The awards bring together Australia’s broad design community to celebrate ethical, innovative, and impactful design thinking. We’re honoured to be amongst some of the best designers in the country.
 
Thanks to our incredible client at Clemens Hill, we are immensely proud of this project and our entire team.
 
 
 
 
 
 
 
 
 
 
 
 

Ability Hearing and balance

A uniquely Tasmanian concept drawing upon the analogy between sound waves, ocean waves, and the search for balance.
 
Ability Hearing and Balance had three sites to be designed around Tasmania.
Our design celebrates the perfect blend of Tasmanian art, design, and craftsmanship with sensory curved walls suggesting the turning of the wave, cabinetry units displaying longitudinal and transverse lines for an overall equilibrium. Undulating brass handles with a silence. A linear light, radiating around is suggestive of a wave building with momentum.
 
Listen to the quietness, the balance, the equilibrium. Tune in, just for a moment, to absorb the sound of the waves.
 
Client / Ability Hearing and Balance
Design / Valentine interiors + design
Photography / Loic Le Guilly
 
 
 
 
 
 
 

Integrated design talk / Bentley Workspaces

A great discussion at Bentley Workspaces on having all the experts in the room at the beginning of a project. Thank you to Nicole and the team at Bentley for allowing Valentine Interiors & design to have the opportunity to be part of this.
 
Laura Callingham, architect from Studio ilk, Peter Ventieri, Director of In2Construction and Jane Valentine from Valentine Interiors & Design came together to chat about how engaging all the experts in the initial stage of a brief will ensure a truly integrated project and an exceptional client outcome.
 
Nicole from Bentley Workspaces summarised the talk following on from the day:
‘From learning about the different elements and thought process that goes into designing spaces through to the practicality and effectiveness of the build. There’s a level of collaboration and understanding that needs to happen for a project to succeed.
 
Some key takeaways:
1. Get the right people to the table right from the start.
2. Know your value and what you can offer and be transparent with communicating these.
3. Leverage off each other’s expertise and solve problems together, always.’
 
Images courtesy of Bentley Workspaces.